GROUND ZERO
MAREE HORNER. TERESA PETERS
@CAS Contemporary Art Space, Taranaki
Dec 3 2022 - Jan 20 2023

https://www.contemporaryartspace.co.nz/exhibitions/ ︎
https://www.stuff.co.nz/taranaki-daily-news/news/130604679/motherdaughter-duo-combine-for-exhibition-in-new-plymouth ︎

Access Radio Taranaki Interview, 24 December 22 & Podcast
TIME CRYSTAL in PORTAGE 22 @ Te Uru Waitakere Contemporary Gallery, 25 Nov 2022 - 5 March 2023

https://accessmedia.nz/Player.aspx?eid=08564de8-95ac-4d7e-9e1d-7a0796abf012&fbclid=IwAR0dUZ6seflixFUjxEYbmI-RKPD-nDWzFcfFaMiTLPM-NUbgfqO8rGWsO7Q ︎
PORTAGE Ceramic Awards 2022 @ TE URU WAITAKERE CONTEMPORARY ART GALLERY
25 Nov 2022 - 5 March 2023

Congrats finalists!
Stephen Aitken, Leigh Anderton-Hall, Greg Barron, Heather Bell, Maak Bow, Annette Bull, Oliver Cain, Peter Collis, Anna Crichton, Rosie Parsonson & Richard Darbyshire, Rod Davies, Peter Derksen, Mel Ford, Mandy Gargiulo, Evelyn Hodowany, Tracy Keith, Yueh Luo, Paul Maseyk, Kylie Matheson, John Parker, Richard Penn, Helen Perrett, Teresa Peters, Elena Renker, Rick Rudd, Takaaki Sakaguchi, Sylvia Sinel, Janna van Hasselt, Dorothy Waetford and Pip Woods.
https://www.teuru.org.nz/index.cfm/whats-on/portage-ceramic-awards/ ︎
mothermother @AOTEAROA ART FAIR NOV 16 - 20 2022

Nat Tozer. Inga Fillary, Stella Brennan, Ekaterina Dimieva. Kelly Pretty, Caitlyn Devoy, Melanie Arnold, Michelle Mayn, Rebecca Wallis, Rose Merrily, Monique Lacey. Lucy Boermans, Jessica Douglas, Kiriana Raranga, Robyn Walton, Sandra Bushby, Philippa Blair
Teresa Peters, ‘DISASTROUSFORMS.COM - Artefact No.1’, Raw clay archived as a framed photograph, 700mm x 700 mm, Edition of 12, 2020 @aotearoaartfair ‘Teresa Peters’ Disastrous Forms ‘explore disaster as the mother of revolution.’ Riffing on tropes of archeology and anthropology, her ‘primordial’ clay pieces could be faux-artifacts. It’s easy to imagine these heat-forged curiosities being excavated at some distant point in the future. Her works trace the rehabilitative potential of forms emerging from mata o Papatūānuku, Earth’s surface, through the unstable lottery of making and firing.’ Excerpt from ‘Threads For Lost Mothers, or how she gained a Masters of Economics’ by Hanna Scott. @teresapetersstudio #hannascott @mothermother_archive
