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Teresa Peters ︎︎︎


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︎ MOLTENENTITIES.COM

︎DISASTROUSFORMS.COM

Exhibitions 2021 - 2022 








  • ECHOES Portage Premier Award Winner 2021 ︎ Portage Ceramic Awards Te Uru - Waitakere Contemporary Art Gallery

  • ARTEFACTS Merit Award Winner 2021 ︎Ceramics New Zealand National Exhibition Diamond Jubilee, 2021










  • TENT 2021, Mothermother, Finger Pricks & Curses, Nov 2021

  • Mothermother Iteration 10 Portraits @ Aotearoa Art Fair 2021

  • Foolscap, RM Gallery and Project Space Aotearoa Art Fair 2021

Exhibitions 2020 - Prehistory 

  • ECHO BONE, New Ceramic Aquisitions @ Pah Homestead 2020






  • ECHO BONE, Studio One Toi Tu Ceramics Creative Studio Residency Exhibition, 2018 - 2019


Previous ︎︎︎





Writings ︎︎︎
2022 ++


Portage 2021 Press ︎

  



  • RETURN OF THE PORTAGE review by Jemma Giorza ︎  Ceramics New Zealand Magazine Winter 2022





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Info ︎︎︎

Teresa Peters is an artist and filmmaker based in Tamaki Makaurau, currently working in clay and ceramics, photography and moving image. She is interested in bodies, earth bodies, forming and transforming. Chemical compounds and molten entities, in intimate combustion. ‘Excavating’ primordial totems’, as we move on into the sixth mass extinction. Ceramics is alchemy. Earth, water, air… fire...

mothermother @AOTEAROA ART FAIR NOV 16 - 20 2022

Mark




mothermother @AOTEAROA ART FAIR NOV 16 - 20 2022






Teresa Peters, ‘DISASTROUSFORMS.COM - Artefact No.1’, Raw clay archived as a framed photograph, 700mm x 700 mm, Edition of 12, 2020 @aotearoaartfairTeresa Peters’ Disastrous Forms ‘explore disaster as the mother of revolution.’ Riffing on tropes of archeology and anthropology, her ‘primordial’ clay pieces could be faux-artifacts. It’s easy to imagine these heat-forged curiosities being excavated at some distant point in the future. Her works trace the rehabilitative potential of forms emerging from mata o Papatūānuku, Earth’s surface, through the unstable lottery of making and firing.’ Excerpt from ‘Threads For Lost Mothers, or how she gained a Masters of Economics’ by Hanna Scott. @teresapetersstudio #hannascott @mothermother_archive