︎︎︎
 





















Teresa Peters ︎︎︎


︎ HOME ︎  INDEX ︎


Projects & Exhibitions ︎︎︎

Web Archives

︎ MOLTENENTITIES.COM

︎DISASTROUSFORMS.COM

Exhibitions 2021 - 2022 





  • ECHOES Portage Premier Award Winner 2021 ︎ Portage Ceramic Awards Te Uru - Waitakere Contemporary Art Gallery

  • ARTEFACTS Merit Award Winner 2021 ︎Ceramics New Zealand National Exhibition Diamond Jubilee, 2021










  • TENT 2021, Mothermother, Finger Pricks & Curses, Nov 2021

  • Mothermother Iteration 10 Portraits @ Aotearoa Art Fair 2021

  • Foolscap, RM Gallery and Project Space Aotearoa Art Fair 2021

Exhibitions 2020 - Prehistory 

  • ECHO BONE, New Ceramic Aquisitions @ Pah Homestead 2020






  • ECHO BONE, Studio One Toi Tu Ceramics Creative Studio Residency Exhibition, 2018 - 2019


Previous ︎︎︎





Writings ︎︎︎
2022 ++


Portage 2021 Press ︎

  



  • RETURN OF THE PORTAGE review by Jemma Giorza ︎  Ceramics New Zealand Magazine Winter 2022





︎︎︎













Info ︎︎︎

Teresa Peters is an artist and filmmaker based in Tamaki Makaurau, currently working in clay and ceramics, photography and moving image. She is interested in bodies, earth bodies, forming and transforming. Chemical compounds and molten entities, in intimate combustion. ‘Excavating’ primordial totems’, as we move on into the sixth mass extinction. Ceramics is alchemy. Earth, water, air… fire...

Mark




From things flow @ RM Gallery and Project Space, July 2021 

Shelley Simpson, Kate van der Drift, Kathryn Tulloch & Teresa Peters


︎︎︎



















From things flow is a collection of works, unravellings, experiences and events that query the concept of agency both within and without our bodies.

Kate van der Drift, Teresa Peters, Shelley Simpson and Kathryn Tulloch are artists working with materiality, processes and temporality. Using an expanded notion of the gallery space which reflects the RM kaupapa of ‘the potentials of an empty room – a space to gather, to think, to talk, to make, to share…’, the work itself will be created in or evolve within the gallery. In this lively, activated space-come-lab, the artists will bring in elements of transition, evolution and participation both within the material concerns informing their practices, and with people in the space participating in formal and informal happenings.

Kate van der Drift’s time based and cameraless works are created by submerging film (sheet and super 8) in lightproof holders to the waters and sediment of the Piako River.  A durational accretion created by the action of water and reaction with the sensitive filmic substrate.  Forming and unforming lumen prints will be exposed to light and continue to develop over the course of the show.

Teresa’s rhizomic installations and pseudo archives are made up of small curious earth-born entities in clay and ceramic. She explores ceramics as an alchemical matrix, extending naturally to geomorphic evolution and rupture as the mother of revolution. From corals to volcanoes to the quartz in your mobile phone. Her earth bodies and digital archive will evolve during the show – breaking ground and exploring entropic transformations.

Shelley’s exploration of iron continues her investigation of the alive-ness of metal and the ways in which materials are dense with stories. By co-opting the industrial process of electroforming and of scientific imaging, she asks how we can shift our anthropocentric position to one that considers the liveliness of others.

Kathryn uses processes and materials involved in painting and cooking as a means to re-connect to ecological layers between our experience of earthly material presence and human production. Remnants and ephemera from the opening events activity will be present for the duration of the show